User:AnnaFoka - Revision history

AnnaFoka: /* Bio */

2016-04-05T15:19:37Z

Bio

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	She defended her PhD thesis in ancient Greek comedy and the construction of Greek identity in extant texts and fragments (Liverpool 2010). She holds an MA in Classics and Ancient History (Liverpool 2006), and a 4-year MA degree in Theatre and Performance Studies (NCU Athens 2003). Prior to her current position, she held a post-doctoral research fellowship at the Umeå Centre for Gender Studies (UCGS) in collaboration with the school of Histories and Cultures (Umeå University). She has previously held lecturing positions in several institutions in the UK (Manchester and Liverpool University).		She defended her PhD thesis in ancient Greek comedy and the construction of Greek identity in extant texts and fragments (Liverpool 2010). She holds an MA in Classics and Ancient History (Liverpool 2006), and a 4-year MA degree in Theatre and Performance Studies (NCU Athens 2003). Prior to her current position, she held a post-doctoral research fellowship at the Umeå Centre for Gender Studies (UCGS) in collaboration with the school of Histories and Cultures (Umeå University). She has previously held lecturing positions in several institutions in the UK (Manchester and Liverpool University).

	Her broad research interests include cultural and social history, history for different frames, constructions and perceptions of socio- cultural identities, historical concepts of gender and sexuality, and the relationship between historical culture(s) and contemporaneity. She has published in the fields of gender and humour in Graeco-Roman culture, the reception of antiquity in popular culture, and digital history.		Her broad research interests include cultural and social history, history for different frames, constructions and perceptions of socio- cultural identities, historical concepts of gender and sexuality, and the relationship between historical culture(s) and contemporaneity. She has published in the fields of gender and humour in Graeco-Roman culture, the reception of antiquity in popular culture, and methodologies for digital history including the study of visualisations, gamification and creative environments.

	Anna Foka is the co-founder (alongside Viktor Arvidsson) of the international research network Digital Gender that is funded by Riksbankens Jubileumsfond. She is also a member of the Digital Classicist community, actively involved in the Digital Classicist Wiki Sprint (2014- beyond) and undertaking several tasks including correcting web pages, suggesting new projects, adding pages to the Wiki, helping others with information and background, approaching project leaders to suggest adding or improving information. Anna is also a member of the Umeå Group for Premodern Studies, organizing the group’s outreach activities for 2014, including public talks in the context of Umeå as a European capital of culture.		Anna Foka is the co-founder (alongside Viktor Arvidsson) of the international research network Digital Gender that is funded by Riksbankens Jubileumsfond. She is also a member of the Digital Classicist community, actively involved in the Digital Classicist Wiki Sprint (2014- beyond) and undertaking several tasks including correcting web pages, suggesting new projects, adding pages to the Wiki, helping others with information and background, approaching project leaders to suggest adding or improving information. Anna is also a member of the Umeå Group for Premodern Studies, organizing the group’s outreach activities for 2014, including public talks in the context of Umeå as a European capital of culture.


	For her current project, Digital Bread and Circuses (part of 2013-2017) Anna Foka is constructing conceptual digital prototypes of the Roman amphitheatre and Greek theatre. The proposed prototypes aim to challenge our understanding of the Roman amphitheatre (and consequentially other ancient entertainment sites such as the Greek theatre, Circuses and Hippodromes) and as (presently) epistemologically embedded in textual and oculocentric traditions in research and popular culture representations. It is an in-depth investigation of the manners in which historical and cultural reproductions, are shaped by and correspond to the audiences’ digital aesthetic expectations and own historical culture(s). Prototypes ~~will~~ target the sites’ comprehensive materiality, multisensory sensibility, and aim to go beyond already shaped assumptions about gender, hierarchies, and entertainment in antiquity.		For her current project, Digital Bread and Circuses (part of 2013-2017) Anna Foka is constructing conceptual digital prototypes of the Roman amphitheatre and Greek theatre. The proposed prototypes aim to challenge our understanding of the Roman amphitheatre (and consequentially other ancient entertainment sites such as the Greek theatre, Circuses and Hippodromes) and as (presently) epistemologically embedded in textual and oculocentric traditions in research and popular culture representations. It is an in-depth investigation of the manners in which historical and cultural reproductions, are shaped by and correspond to the audiences’ digital aesthetic expectations and own historical culture(s). Prototypes target the sites’ comprehensive materiality, multisensory sensibility, and aim to go beyond already shaped assumptions about gender, hierarchies, and entertainment in antiquity.

	== Websites ==		== Websites ==

AnnaFoka: /* Bio */

2016-04-05T15:18:40Z

Bio

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	Anna Foka is the co-founder (alongside Viktor Arvidsson) of the international research network Digital Gender that is funded by Riksbankens Jubileumsfond. She is also a member of the Digital Classicist community, actively involved in the Digital Classicist Wiki Sprint (2014- beyond) and undertaking several tasks including correcting web pages, suggesting new projects, adding pages to the Wiki, helping others with information and background, approaching project leaders to suggest adding or improving information. Anna is also a member of the Umeå Group for Premodern Studies, organizing the group’s outreach activities for 2014, including public talks in the context of Umeå as a European capital of culture.		Anna Foka is the co-founder (alongside Viktor Arvidsson) of the international research network Digital Gender that is funded by Riksbankens Jubileumsfond. She is also a member of the Digital Classicist community, actively involved in the Digital Classicist Wiki Sprint (2014- beyond) and undertaking several tasks including correcting web pages, suggesting new projects, adding pages to the Wiki, helping others with information and background, approaching project leaders to suggest adding or improving information. Anna is also a member of the Umeå Group for Premodern Studies, organizing the group’s outreach activities for 2014, including public talks in the context of Umeå as a European capital of culture.

	Prior to her academic carreer she worked as an editor for the largest independent American publisher for Greek and Latin textbooks (Bolchazy- Carducci Publishers), wrote game reviews for PS magazine (Athens), and enjoyed the occasional freedom of travelling, playing keyboards and drums for unknown bands, and releasing her inner geek in MMORPG gaming.

	For her current project, Digital Bread and Circuses (part of 2013-2017) Anna Foka is constructing conceptual digital prototypes of the Roman amphitheatre and Greek theatre. The proposed prototypes aim to challenge our understanding of the Roman amphitheatre (and consequentially other ancient entertainment sites such as the Greek theatre, Circuses and Hippodromes) and as (presently) epistemologically embedded in textual and oculocentric traditions in research and popular culture representations. It is an in-depth investigation of the manners in which historical and cultural reproductions, are shaped by and correspond to the audiences’ digital aesthetic expectations and own historical culture(s). Prototypes will target the sites’ comprehensive materiality, multisensory sensibility, and aim to go beyond already shaped assumptions about gender, hierarchies, and entertainment in antiquity.		For her current project, Digital Bread and Circuses (part of 2013-2017) Anna Foka is constructing conceptual digital prototypes of the Roman amphitheatre and Greek theatre. The proposed prototypes aim to challenge our understanding of the Roman amphitheatre (and consequentially other ancient entertainment sites such as the Greek theatre, Circuses and Hippodromes) and as (presently) epistemologically embedded in textual and oculocentric traditions in research and popular culture representations. It is an in-depth investigation of the manners in which historical and cultural reproductions, are shaped by and correspond to the audiences’ digital aesthetic expectations and own historical culture(s). Prototypes will target the sites’ comprehensive materiality, multisensory sensibility, and aim to go beyond already shaped assumptions about gender, hierarchies, and entertainment in antiquity.

	Anna Foka aims to provide researchers with a deeper understanding of ancient entertainment, beyond space, materiality, and narratives, both as situated socio-cultural topoi and historical artifacts. She suggests an expansion in the use of expressive and interpretative media, as well as the integration of different kinds of knowledge: a combination of existing material and literary sources and different sensory arrangements that can enable a more holistic approach of the experience of an ancient entertainment space. A model shaped by layers of “data” combined with different perspectives: a site that will be used simultaneously for engagement, as well as critical comparison and work, and can generate further knowledge.

	== Websites ==		== Websites ==

AnnaFoka at 19:42, 2 July 2014

2014-07-02T19:42:54Z

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	Anna Foka aims to provide researchers with a deeper understanding of ancient entertainment, beyond space, materiality, and narratives, both as situated socio-cultural topoi and historical artifacts. She suggests an expansion in the use of expressive and interpretative media, as well as the integration of different kinds of knowledge: a combination of existing material and literary sources and different sensory arrangements that can enable a more holistic approach of the experience of an ancient entertainment space. A model shaped by layers of “data” combined with different perspectives: a site that will be used simultaneously for engagement, as well as critical comparison and work, and can generate further knowledge.		Anna Foka aims to provide researchers with a deeper understanding of ancient entertainment, beyond space, materiality, and narratives, both as situated socio-cultural topoi and historical artifacts. She suggests an expansion in the use of expressive and interpretative media, as well as the integration of different kinds of knowledge: a combination of existing material and literary sources and different sensory arrangements that can enable a more holistic approach of the experience of an ancient entertainment space. A model shaped by layers of “data” combined with different perspectives: a site that will be used simultaneously for engagement, as well as critical comparison and work, and can generate further knowledge.


	~~== Recent Publications ==~~



	== Websites ==		== Websites ==

AnnaFoka at 19:42, 2 July 2014

2014-07-02T19:42:23Z

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	Anna Foka is an Associate Senior Lecturer at HUMlab, Umeå University, Sweden.		Anna Foka is an Associate Senior Lecturer at HUMlab, Umeå University, Sweden.
	She defended her PhD thesis in ancient Greek comedy and the construction of Greek identity in extant texts and fragments (Liverpool 2010). She holds an MA in Classics and Ancient History (Liverpool 2006), and a 4-year MA degree in Theatre and Performance Studies (NCU Athens 2003). Prior to her current position, she held a post-doctoral research fellowship at the Umeå Centre for Gender Studies (UCGS) in collaboration with the school of Histories and Cultures (Umeå University). She has previously held lecturing positions in several institutions in the UK (Manchester and Liverpool University).		She defended her PhD thesis in ancient Greek comedy and the construction of Greek identity in extant texts and fragments (Liverpool 2010). She holds an MA in Classics and Ancient History (Liverpool 2006), and a 4-year MA degree in Theatre and Performance Studies (NCU Athens 2003). Prior to her current position, she held a post-doctoral research fellowship at the Umeå Centre for Gender Studies (UCGS) in collaboration with the school of Histories and Cultures (Umeå University). She has previously held lecturing positions in several institutions in the UK (Manchester and Liverpool University).

	Her broad research interests include cultural and social history, history for different frames, constructions and perceptions of socio- cultural identities, historical concepts of gender and sexuality, and the relationship between historical culture(s) and contemporaneity. She has published in the fields of gender and humour in Graeco-Roman culture, the reception of antiquity in popular culture, and digital history.		Her broad research interests include cultural and social history, history for different frames, constructions and perceptions of socio- cultural identities, historical concepts of gender and sexuality, and the relationship between historical culture(s) and contemporaneity. She has published in the fields of gender and humour in Graeco-Roman culture, the reception of antiquity in popular culture, and digital history.
	Anna Foka is a co-founder (alongside Viktor Arvidsson) of the international research network Digital Gender that is funded by Riksbankens Jubileumsfond. She is also a member of the Digital Classicist community, actively involved in the Digital Classicist Wiki Sprint (2014- beyond) and undertaking several tasks including correcting web pages, suggesting new projects, adding pages to the Wiki, helping others with information and background, approaching project leaders to suggest adding or improving information. Anna is also a member of the Umeå Group for Premodern Studies, organizing the group’s outreach activities for 2014, including public talks in the context of Umeå as a European capital of culture.
			Anna Foka is the co-founder (alongside Viktor Arvidsson) of the international research network Digital Gender that is funded by Riksbankens Jubileumsfond. She is also a member of the Digital Classicist community, actively involved in the Digital Classicist Wiki Sprint (2014- beyond) and undertaking several tasks including correcting web pages, suggesting new projects, adding pages to the Wiki, helping others with information and background, approaching project leaders to suggest adding or improving information. Anna is also a member of the Umeå Group for Premodern Studies, organizing the group’s outreach activities for 2014, including public talks in the context of Umeå as a European capital of culture.

	Prior to her academic carreer she worked as an editor for the largest independent American publisher for Greek and Latin textbooks (Bolchazy- Carducci Publishers), wrote game reviews for PS magazine (Athens), and enjoyed the occasional freedom of travelling, playing keyboards and drums for unknown bands, and releasing her inner geek in MMORPG gaming.		Prior to her academic carreer she worked as an editor for the largest independent American publisher for Greek and Latin textbooks (Bolchazy- Carducci Publishers), wrote game reviews for PS magazine (Athens), and enjoyed the occasional freedom of travelling, playing keyboards and drums for unknown bands, and releasing her inner geek in MMORPG gaming.

	For her current project, Digital Bread and Circuses (part of 2013-2017) Anna Foka is constructing conceptual digital prototypes of the Roman amphitheatre and Greek theatre. The proposed prototypes aim to challenge our understanding of the Roman amphitheatre (and consequentially other ancient entertainment sites such as the Greek theatre, Circuses and Hippodromes) and as (presently) epistemologically embedded in textual and oculocentric traditions in research and popular culture representations. It is an in-depth investigation of the manners in which historical and cultural reproductions, are shaped by and correspond to the audiences’ digital aesthetic expectations and own historical culture(s). Prototypes will target the sites’ comprehensive materiality, multisensory sensibility, and aim to go beyond already shaped assumptions about gender, hierarchies, and entertainment in antiquity.		For her current project, Digital Bread and Circuses (part of 2013-2017) Anna Foka is constructing conceptual digital prototypes of the Roman amphitheatre and Greek theatre. The proposed prototypes aim to challenge our understanding of the Roman amphitheatre (and consequentially other ancient entertainment sites such as the Greek theatre, Circuses and Hippodromes) and as (presently) epistemologically embedded in textual and oculocentric traditions in research and popular culture representations. It is an in-depth investigation of the manners in which historical and cultural reproductions, are shaped by and correspond to the audiences’ digital aesthetic expectations and own historical culture(s). Prototypes will target the sites’ comprehensive materiality, multisensory sensibility, and aim to go beyond already shaped assumptions about gender, hierarchies, and entertainment in antiquity.

	Anna Foka aims to provide researchers with a deeper understanding of ancient entertainment, beyond space, materiality, and narratives, both as situated socio-cultural topoi and historical artifacts. She suggests an expansion in the use of expressive and interpretative media, as well as the integration of different kinds of knowledge: a combination of existing material and literary sources and different sensory arrangements that can enable a more holistic approach of the experience of an ancient entertainment space. A model shaped by layers of “data” combined with different perspectives: a site that will be used simultaneously for engagement, as well as critical comparison and work, and can generate further knowledge.		Anna Foka aims to provide researchers with a deeper understanding of ancient entertainment, beyond space, materiality, and narratives, both as situated socio-cultural topoi and historical artifacts. She suggests an expansion in the use of expressive and interpretative media, as well as the integration of different kinds of knowledge: a combination of existing material and literary sources and different sensory arrangements that can enable a more holistic approach of the experience of an ancient entertainment space. A model shaped by layers of “data” combined with different perspectives: a site that will be used simultaneously for engagement, as well as critical comparison and work, and can generate further knowledge.

AnnaFoka at 19:37, 2 July 2014

2014-07-02T19:37:37Z

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	== Bio ==		== Bio ==
	Anna Foka is an Associate Senior Lecturer at HUMlab, ~~the~~ Umeå University. ~~For~~ the ~~academic period~~ (~~2013-2017~~) ~~she is constructing multisensory conceptual digital prototypes of ancient entertainment spaces~~ (~~Greek~~ Theatre~~, Roman Amphitheatre, Hippodrome~~). ~~I am~~ a ~~proud member of~~ the ~~research group UGPS (~~Umeå ~~Group~~ for ~~Premodern~~ Studies).		Anna Foka is an Associate Senior Lecturer at HUMlab, Umeå University, Sweden.
			She defended her PhD thesis in ancient Greek comedy and the construction of Greek identity in extant texts and fragments (Liverpool 2010). She holds an MA in Classics and Ancient History (Liverpool 2006), and a 4-year MA degree in Theatre and Performance Studies (NCU Athens 2003). Prior to her current position, she held a post-doctoral research fellowship at the Umeå Centre for Gender Studies (UCGS) in collaboration with the school of Histories and Cultures (Umeå University). She has previously held lecturing positions in several institutions in the UK (Manchester and Liverpool University).
	My broad research interests include cultural and social history, history for different frames, constructions of socio- cultural ~~identity~~, gender ~~studies~~, and the relationship between historical culture(s) and contemporaneity. ~~I have~~ published in the fields of gender and humour in Graeco-Roman culture, ~~and~~ the reception of antiquity in popular culture.		Her broad research interests include cultural and social history, history for different frames, constructions and perceptions of socio- cultural identities, historical concepts of gender and sexuality, and the relationship between historical culture(s) and contemporaneity. She has published in the fields of gender and humour in Graeco-Roman culture, the reception of antiquity in popular culture, and digital history.
			Anna Foka is a co-founder (alongside Viktor Arvidsson) of the international research network Digital Gender that is funded by Riksbankens Jubileumsfond. She is also a member of the Digital Classicist community, actively involved in the Digital Classicist Wiki Sprint (2014- beyond) and undertaking several tasks including correcting web pages, suggesting new projects, adding pages to the Wiki, helping others with information and background, approaching project leaders to suggest adding or improving information. Anna is also a member of the Umeå Group for Premodern Studies, organizing the group’s outreach activities for 2014, including public talks in the context of Umeå as a European capital of culture.
	~~I defended my PhD thesis in ancient comedy and the construction of Greek identity~~ (~~Liverpool 2010~~). ~~I have~~ a MA in ~~Classics and Ancient History~~ (~~Liverpool 2006~~), and a ~~4-year MA degree in Performance~~ Studies in ~~Premodernity~~ (~~NCU~~ Athens ~~2003~~). ~~Prior to my~~ current ~~position~~, ~~I was a post~~-~~doctoral research fellow at~~ the ~~Umeå Centre for Gender Studies at University~~ (in ~~collaboration with~~ the ~~school of History)~~ and ~~I have held lecturing positions at both Manchester~~ and ~~Liverpool University~~ (UK). ~~In my spare time I enjoy compiling~~ and ~~listening~~ to ~~music~~, ~~swimming~~, ~~fencing~~, ~~painting~~, and ~~gaming~~.		Prior to her academic carreer she worked as an editor for the largest independent American publisher for Greek and Latin textbooks (Bolchazy- Carducci Publishers), wrote game reviews for PS magazine (Athens), and enjoyed the occasional freedom of travelling, playing keyboards and drums for unknown bands, and releasing her inner geek in MMORPG gaming.
			For her current project, Digital Bread and Circuses (part of 2013-2017) Anna Foka is constructing conceptual digital prototypes of the Roman amphitheatre and Greek theatre. The proposed prototypes aim to challenge our understanding of the Roman amphitheatre (and consequentially other ancient entertainment sites such as the Greek theatre, Circuses and Hippodromes) and as (presently) epistemologically embedded in textual and oculocentric traditions in research and popular culture representations. It is an in-depth investigation of the manners in which historical and cultural reproductions, are shaped by and correspond to the audiences’ digital aesthetic expectations and own historical culture(s). Prototypes will target the sites’ comprehensive materiality, multisensory sensibility, and aim to go beyond already shaped assumptions about gender, hierarchies, and entertainment in antiquity.
			Anna Foka aims to provide researchers with a deeper understanding of ancient entertainment, beyond space, materiality, and narratives, both as situated socio-cultural topoi and historical artifacts. She suggests an expansion in the use of expressive and interpretative media, as well as the integration of different kinds of knowledge: a combination of existing material and literary sources and different sensory arrangements that can enable a more holistic approach of the experience of an ancient entertainment space. A model shaped by layers of “data” combined with different perspectives: a site that will be used simultaneously for engagement, as well as critical comparison and work, and can generate further knowledge.


			== Recent Publications ==

AnnaFoka at 16:27, 2 July 2014

2014-07-02T16:27:42Z

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			== Bio ==
			Anna Foka is an Associate Senior Lecturer at HUMlab, the Umeå University. For the academic period (2013-2017) she is constructing multisensory conceptual digital prototypes of ancient entertainment spaces (Greek Theatre, Roman Amphitheatre, Hippodrome). I am a proud member of the research group UGPS (Umeå Group for Premodern Studies).

			My broad research interests include cultural and social history, history for different frames, constructions of socio- cultural identity, gender studies, and the relationship between historical culture(s) and contemporaneity. I have published in the fields of gender and humour in Graeco-Roman culture, and the reception of antiquity in popular culture.

			I defended my PhD thesis in ancient comedy and the construction of Greek identity (Liverpool 2010). I have a MA in Classics and Ancient History (Liverpool 2006), and a 4-year MA degree in Performance Studies in Premodernity (NCU Athens 2003). Prior to my current position, I was a post-doctoral research fellow at the Umeå Centre for Gender Studies at University (in collaboration with the school of History) and I have held lecturing positions at both Manchester and Liverpool University (UK). In my spare time I enjoy compiling and listening to music, swimming, fencing, painting, and gaming.



			== Websites ==

			* Institutional Website:
	http://www.humlab.umu.se/en/about/staff/anna-foka/		http://www.humlab.umu.se/en/about/staff/anna-foka/

			*Personal Website:
	http://www.annafoka.com/		http://www.annafoka.com/

AnnaFoka at 15:23, 1 July 2014

2014-07-01T15:23:05Z

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	http://www.humlab.umu.se/en/about/staff/anna-foka/		http://www.humlab.umu.se/en/about/staff/anna-foka/
			http://www.annafoka.com/
	www.annafoka.com

AnnaFoka at 15:22, 1 July 2014

2014-07-01T15:22:13Z

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	http://www.humlab.umu.se/en/about/staff/anna-foka/		http://www.humlab.umu.se/en/about/staff/anna-foka/

			www.annafoka.com

AnnaFoka: Created page with "http://www.humlab.umu.se/en/about/staff/anna-foka/"

2014-05-22T18:37:58Z

Created page with "http://www.humlab.umu.se/en/about/staff/anna-foka/"

New page

http://www.humlab.umu.se/en/about/staff/anna-foka/