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	<id>https://wiki.digitalclassicist.org/index.php?action=history&amp;feed=atom&amp;title=DiBS_-_Digital_Byzantine_Studies</id>
	<title>DiBS - Digital Byzantine Studies - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.digitalclassicist.org/index.php?action=history&amp;feed=atom&amp;title=DiBS_-_Digital_Byzantine_Studies"/>
	<link rel="alternate" type="text/html" href="https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;action=history"/>
	<updated>2026-11-06T16:10:22Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=13452&amp;oldid=prev</id>
		<title>GabrielBodard: cat</title>
		<link rel="alternate" type="text/html" href="https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=13452&amp;oldid=prev"/>
		<updated>2026-09-29T14:48:10Z</updated>

		<summary type="html">&lt;p&gt;cat&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:48, 29 September 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sopracasa, Alessio, Martina Filosa, and Simona Stoyanova. 2020. “The Digital Enhancement of a Discipline Byzantine Sigillography and Digital Humanities: Byzantine Sigillography and Digital Humanities.” Magazén 1: 101–28. https://doi.org/10.30687/mag//2020/01/006.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sopracasa, Alessio, Martina Filosa, and Simona Stoyanova. 2020. “The Digital Enhancement of a Discipline Byzantine Sigillography and Digital Humanities: Byzantine Sigillography and Digital Humanities.” Magazén 1: 101–28. https://doi.org/10.30687/mag//2020/01/006.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sopracasa, Alessio. 2022. “La Sigillographie Byzantine à l’épreuve Du Numérique:  SigiDoc 1.0.” Revue des Études Byzantines 80: 315–31. https://doi.org/10.2143/REB.80.0.3290904.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sopracasa, Alessio. 2022. “La Sigillographie Byzantine à l’épreuve Du Numérique:  SigiDoc 1.0.” Revue des Études Byzantines 80: 315–31. https://doi.org/10.2143/REB.80.0.3290904.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:projects]] [[category:EpiDoc]] [[category:SigiDoc]] [[category:Byzantine]] [[category:Sigillography]] [[category:RTI]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:projects]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:EpiDoc]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:SigiDoc]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Byzantine]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Sigillography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:RTI&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[category:Projects that use EFES‏‎&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>GabrielBodard</name></author>
	</entry>
	<entry>
		<id>https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=11824&amp;oldid=prev</id>
		<title>MartinaFilosa at 15:41, 19 September 2023</title>
		<link rel="alternate" type="text/html" href="https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=11824&amp;oldid=prev"/>
		<updated>2023-09-19T15:41:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:41, 19 September 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Description==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Description==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Based on an already existing focus on Byzantine Sigillography, the strategic concept ''DiBS - Digital Byzantine Studies'' developed in cooperation with the Cologne Center for eHumanities (CCeH) aims at the innovative further development of a cluster of four Byzantine so-called auxiliary disciplines - Sigillography, Numismatics, Epigraphy and Greek Manuscript Studies. The concept is based on research-based teaching and implements the following measures: (1) Object-related scientific research of collections, processing of superordinate historical questions and interpretation of historical knowledge. (2) Design of new courses (online courses, streamed lectures, asynchronous teaching units, webinars and podcasts) for existing BA and MA programs as a polyvalent course offering. Establishment of a new supplementary module &amp;quot;Digital Byzantine Studies&amp;quot; and integration into other ancient studies programs and into the Digital Humanities. (3) Knowledge transfer to museums and collections by training curators in SigiDoc and Dome-RTI (Reflective Transformation Imaging) techniques.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Based on an already existing focus on Byzantine Sigillography, the strategic concept ''DiBS - Digital Byzantine Studies'' developed in cooperation with the Cologne Center for eHumanities (CCeH) aims at the innovative further development of a cluster of four Byzantine so-called auxiliary disciplines - Sigillography, Numismatics, Epigraphy and Greek Manuscript Studies. The concept is based on research-based teaching and implements the following measures: (1) Object-related scientific research of collections, processing of superordinate historical questions and interpretation of historical knowledge. (2) Design of new courses (online courses, streamed lectures, asynchronous teaching units, webinars and podcasts) for existing BA and MA programs as a polyvalent course offering. Establishment of a new supplementary module &amp;quot;Digital Byzantine Studies&amp;quot; and integration into other ancient studies programs and into the Digital Humanities. (3) Knowledge transfer to museums and collections by training curators in SigiDoc and Dome-RTI (Reflective Transformation Imaging) techniques.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Contacts==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Mailing List (low traffic): dibs-byzantinistik[at]uni-koeln[dot]de&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Social Media (Twitter-X): @digibyzantine&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Recommended Readings==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Recommended Readings==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sopracasa, Alessio, Martina Filosa, and Simona Stoyanova. 2020. “The Digital Enhancement of a Discipline Byzantine Sigillography and Digital Humanities: Byzantine Sigillography and Digital Humanities.” Magazén 1: 101–28. https://doi.org/10.30687/mag//2020/01/006.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sopracasa, Alessio, Martina Filosa, and Simona Stoyanova. 2020. “The Digital Enhancement of a Discipline Byzantine Sigillography and Digital Humanities: Byzantine Sigillography and Digital Humanities.” Magazén 1: 101–28. https://doi.org/10.30687/mag//2020/01/006.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sopracasa, Alessio. 2022. “La Sigillographie Byzantine à l’épreuve Du Numérique:  SigiDoc 1.0.” Revue des Études Byzantines 80: 315–31. https://doi.org/10.2143/REB.80.0.3290904.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sopracasa, Alessio. 2022. “La Sigillographie Byzantine à l’épreuve Du Numérique:  SigiDoc 1.0.” Revue des Études Byzantines 80: 315–31. https://doi.org/10.2143/REB.80.0.3290904.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:projects]] [[category:EpiDoc]] [[category:SigiDoc]] [[category:Byzantine]] [[category:Sigillography]] [[category:RTI]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:projects]] [[category:EpiDoc]] [[category:SigiDoc]] [[category:Byzantine]] [[category:Sigillography]] [[category:RTI]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>MartinaFilosa</name></author>
	</entry>
	<entry>
		<id>https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=11821&amp;oldid=prev</id>
		<title>MartinaFilosa at 15:38, 19 September 2023</title>
		<link rel="alternate" type="text/html" href="https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=11821&amp;oldid=prev"/>
		<updated>2023-09-19T15:38:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:38, 19 September 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Available==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Available==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* https://dibs.uni-koeln.de/&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* https://dibs.uni-koeln.de/&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Author/Editor&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Team&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===== Principal Investigators =====&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===== Principal Investigators =====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Claudia Sode (Universität zu Köln)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Claudia Sode (Universität zu Köln)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>MartinaFilosa</name></author>
	</entry>
	<entry>
		<id>https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=11812&amp;oldid=prev</id>
		<title>MartinaFilosa at 15:33, 19 September 2023</title>
		<link rel="alternate" type="text/html" href="https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=11812&amp;oldid=prev"/>
		<updated>2023-09-19T15:33:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:33, 19 September 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Description==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Description==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Based on an already existing focus on Byzantine Sigillography, the strategic concept ''DiBS - Digital Byzantine Studies'' developed in cooperation with the Cologne Center for eHumanities (CCeH) aims at the innovative further development of a cluster of four Byzantine so-called auxiliary disciplines - Sigillography, Numismatics, Epigraphy and Greek Manuscript Studies. The concept is based on research-based teaching and implements the following measures: (1) Object-related scientific research of collections, processing of superordinate historical questions and interpretation of historical knowledge. (2) Design of new courses (online courses, streamed lectures, asynchronous teaching units, webinars and podcasts) for existing BA and MA programs as a polyvalent course offering. Establishment of a new supplementary module &amp;quot;Digital Byzantine Studies&amp;quot; and integration into other ancient studies programs and into the Digital Humanities. (3) Knowledge transfer to museums and collections by training curators in SigiDoc and Dome-RTI (Reflective Transformation Imaging) techniques.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Based on an already existing focus on Byzantine Sigillography, the strategic concept ''DiBS - Digital Byzantine Studies'' developed in cooperation with the Cologne Center for eHumanities (CCeH) aims at the innovative further development of a cluster of four Byzantine so-called auxiliary disciplines - Sigillography, Numismatics, Epigraphy and Greek Manuscript Studies. The concept is based on research-based teaching and implements the following measures: (1) Object-related scientific research of collections, processing of superordinate historical questions and interpretation of historical knowledge. (2) Design of new courses (online courses, streamed lectures, asynchronous teaching units, webinars and podcasts) for existing BA and MA programs as a polyvalent course offering. Establishment of a new supplementary module &amp;quot;Digital Byzantine Studies&amp;quot; and integration into other ancient studies programs and into the Digital Humanities. (3) Knowledge transfer to museums and collections by training curators in SigiDoc and Dome-RTI (Reflective Transformation Imaging) techniques.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Recommended Readings==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Sopracasa, Alessio, Martina Filosa, and Simona Stoyanova. 2020. “The Digital Enhancement of a Discipline Byzantine Sigillography and Digital Humanities: Byzantine Sigillography and Digital Humanities.” Magazén 1: 101–28. https://doi.org/10.30687/mag//2020/01/006.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Sopracasa, Alessio. 2022. “La Sigillographie Byzantine à l’épreuve Du Numérique:  SigiDoc 1.0.” Revue des Études Byzantines 80: 315–31. https://doi.org/10.2143/REB.80.0.3290904.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:projects]] [[category:EpiDoc]] [[category:SigiDoc]] [[category:Byzantine]] [[category:Sigillography]] [[category:RTI]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:projects]] [[category:EpiDoc]] [[category:SigiDoc]] [[category:Byzantine]] [[category:Sigillography]] [[category:RTI]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>MartinaFilosa</name></author>
	</entry>
	<entry>
		<id>https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=11809&amp;oldid=prev</id>
		<title>MartinaFilosa: Created a new project page</title>
		<link rel="alternate" type="text/html" href="https://wiki.digitalclassicist.org/index.php?title=DiBS_-_Digital_Byzantine_Studies&amp;diff=11809&amp;oldid=prev"/>
		<updated>2023-09-19T15:32:40Z</updated>

		<summary type="html">&lt;p&gt;Created a new project page&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;==Full Title==&lt;br /&gt;
'''DiBS - Digital Byzantine Studies''': Creating a Sustainable Infrastructure for Research-Based Teaching in Byzantine Studies&lt;br /&gt;
==Funding Information==&lt;br /&gt;
VolkswagenStiftung, World Knowledge – Structural Support for “Rare Subjects” (2022-2028) &lt;br /&gt;
==Available==&lt;br /&gt;
* https://dibs.uni-koeln.de/&lt;br /&gt;
==Author/Editor==&lt;br /&gt;
===== Principal Investigators =====&lt;br /&gt;
* Claudia Sode (Universität zu Köln)&lt;br /&gt;
* Claes Neuefeind (CCeH)&lt;br /&gt;
===== Researchers =====&lt;br /&gt;
* Martina Filosa (Universität zu Köln)&lt;br /&gt;
* Christos Malatras (Universität zu Köln)&lt;br /&gt;
* Sviatoslav Drach (CCeH)&lt;br /&gt;
===== Student Assistants =====&lt;br /&gt;
* Pia Tabea Charlene Evening (Universität zu Köln)&lt;br /&gt;
* Olga Theocharopoulou (Universität zu Köln)&lt;br /&gt;
==Description==&lt;br /&gt;
Based on an already existing focus on Byzantine Sigillography, the strategic concept ''DiBS - Digital Byzantine Studies'' developed in cooperation with the Cologne Center for eHumanities (CCeH) aims at the innovative further development of a cluster of four Byzantine so-called auxiliary disciplines - Sigillography, Numismatics, Epigraphy and Greek Manuscript Studies. The concept is based on research-based teaching and implements the following measures: (1) Object-related scientific research of collections, processing of superordinate historical questions and interpretation of historical knowledge. (2) Design of new courses (online courses, streamed lectures, asynchronous teaching units, webinars and podcasts) for existing BA and MA programs as a polyvalent course offering. Establishment of a new supplementary module &amp;quot;Digital Byzantine Studies&amp;quot; and integration into other ancient studies programs and into the Digital Humanities. (3) Knowledge transfer to museums and collections by training curators in SigiDoc and Dome-RTI (Reflective Transformation Imaging) techniques.&lt;br /&gt;
[[category:projects]] [[category:EpiDoc]] [[category:SigiDoc]] [[category:Byzantine]] [[category:Sigillography]] [[category:RTI]]&lt;/div&gt;</summary>
		<author><name>MartinaFilosa</name></author>
	</entry>
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