Difference between revisions of "Art of Making in Antiquity"

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==Director==
 
==Director==
* [http://www.kcl.ac.uk/artshums/depts/classics/people/academic/wootton/index.aspx Will Wootton], King's College London
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* Will Wootton
  
 
==Description==
 
==Description==
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From the project website (accessed 2019-07-01):
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<blockquote><p>The Art of Making in Antiquity: Stoneworking in the Roman World is a two-year research project funded by the Leverhulme Trust between July 2011 and June 2013, and based in the Departments of Classics and of Digital Humanities at King’s College London. The project’s aim is to enhance our understanding of the physical process of working stone in the Roman period and to investigate the relationship between the surviving objects, the techniques of production and their makers. This is achieved via a web resource which enables people to explore the tools, materials and processes used in the making of these stone monuments.</p>
  
The Art of Making in Antiquity is an innovative digital project designed for the study of Roman stoneworking. Centred on the photographic archive of Peter Rockwell, this website aims to enhance current understanding of the carving process and to investigate the relationship between the surviving objects, the method and sequence of their production and the people who made them. The resource comprises around 2,000 images, largely Roman monuments with a selection of contextual sources, accompanied by analysis of the working practices underlying their making.
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<p>The project is a close collaboration with Peter Rockwell, a practicing stone carver, expert on the subject and author of The Art of Stoneworking: a reference guide (1993). The principal dataset is his photographic archive. A small part of this collection ­–some 2,000 of the total 20,000 slides– has been digitized and made available together for the first time. Working with Peter, the project team has catalogued and studied these images. This was done during discursive interviews which have resulted in the commentaries accompanying each image, or source. These provide an explanation of the surviving marks on the stone, the tools that made them or the working practices they relate to. Each piece of evidence is placed in sequence alongside other operational activities, such as guidelines for the planning of decorative schemes, measuring points, lifting bosses, clamps for securing blocks in place and any further details that can be used to reconstruct the overall organization of carving work as part of the larger project of creation.</p>
  
You can explore the various [http://www.artofmaking.ac.uk/explore categories of materials] or [http://www.artofmaking.ac.uk/essays-videos/ watch videos and read essays] on stone carving more generally. There is plenty of information about [http://www.artofmaking.ac.uk/content/about/the-project the project] and pages about how best to make use of [http://www.artofmaking.ac.uk/content/information-for/ the content].  
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<p>Information on monuments, tools, processes, materials and places is available on the category pages. There are also new essays on stone carving in the Roman world and videos recording interviews with Peter Rockwell and demonstrations of carving in action. Together these bring to life the actions to which the images attest. In order to complete the resource, the team combines expertise in archaeology, art history, digital humanities and practical making. By integrating this different material, the project goes beyond conventional archival projects and hopes to engage a diverse audience.</p></blockquote>
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You can explore the various [http://www.artofmaking.ac.uk/explore categories of materials] or [http://www.artofmaking.ac.uk/essays-videos/ watch videos and read essays] on stone carving more generally. There is plenty of information about [http://www.artofmaking.ac.uk/content/about/the-project the project] and pages about how best to make use of [http://www.artofmaking.ac.uk/content/information-for/ the content].
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===Bibliography===
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* Wootton, W., Bradley, J., and Russell, B. (2013). "Making the Art of Making in Antiquity(version 1.0)." ''The Art of Making in Antiquity: Stoneworking in the Roman World.'' Available: http://www.artofmaking.ac.uk/content/essays/1-making-the-art-of-making-in-antiquity-w-wootton-j-bradley-b-russell/
  
 
[[category:projects]]
 
[[category:projects]]

Latest revision as of 12:33, 1 July 2019

Contents

[edit] Available

[edit] Director

  • Will Wootton

[edit] Description

From the project website (accessed 2019-07-01):

The Art of Making in Antiquity: Stoneworking in the Roman World is a two-year research project funded by the Leverhulme Trust between July 2011 and June 2013, and based in the Departments of Classics and of Digital Humanities at King’s College London. The project’s aim is to enhance our understanding of the physical process of working stone in the Roman period and to investigate the relationship between the surviving objects, the techniques of production and their makers. This is achieved via a web resource which enables people to explore the tools, materials and processes used in the making of these stone monuments.

The project is a close collaboration with Peter Rockwell, a practicing stone carver, expert on the subject and author of The Art of Stoneworking: a reference guide (1993). The principal dataset is his photographic archive. A small part of this collection ­–some 2,000 of the total 20,000 slides– has been digitized and made available together for the first time. Working with Peter, the project team has catalogued and studied these images. This was done during discursive interviews which have resulted in the commentaries accompanying each image, or source. These provide an explanation of the surviving marks on the stone, the tools that made them or the working practices they relate to. Each piece of evidence is placed in sequence alongside other operational activities, such as guidelines for the planning of decorative schemes, measuring points, lifting bosses, clamps for securing blocks in place and any further details that can be used to reconstruct the overall organization of carving work as part of the larger project of creation.

Information on monuments, tools, processes, materials and places is available on the category pages. There are also new essays on stone carving in the Roman world and videos recording interviews with Peter Rockwell and demonstrations of carving in action. Together these bring to life the actions to which the images attest. In order to complete the resource, the team combines expertise in archaeology, art history, digital humanities and practical making. By integrating this different material, the project goes beyond conventional archival projects and hopes to engage a diverse audience.

You can explore the various categories of materials or watch videos and read essays on stone carving more generally. There is plenty of information about the project and pages about how best to make use of the content.

[edit] Bibliography

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